Transformers
Spotlight 01 Shockwave.
Summary
:
Six hundred
thousand meta cycles ago, during the height of the great war, Shockwave surmises
that the perpetual conflict will have disastrous
consequences for the planet.
So he
decides to do something about it.
Distilling
raw energon and loading it aboard missiles,
sending them to various planets among
which a pre ice age earth.
Much
later, after the last ice age and the mammoths are dying off Shockwave becomes proactive, stabilising the wild energon reactions.
First
stop: earth.
However
the Dynobots have tracked him to the planet. During the war the Dynobots got foiled
by Shockwave and are eager to extract revenge.
The
energon reactions on the surface of the planet
are dangerous to unshielded Transformers.
Causing the Dynobots to go to extreme lengths, by wrapping themselves
in to synthetic flesh, buffering them against the energy fluctuations and taking on alt modes
that resemble dinosaurs.
Down on
the planet, Shockwave goes about his business, ruminating about the parallels of earth's current condition and Cybertron's predicament. Concluding that evolution
is key. Evolve or die.
The
Dynobots attack and are barley able to hold their own. As the battle goes on, Shockwave realises this is about nothing more then
wounded pride and he can barley comprehend it. This is not logical.
Instead
he turns off his higher core functions and facilitates a
synthetic form of rage, with which he
brutally takes the Dynobots down.
Grimlock
however has anticipated things not going to plan and pre-programmed their ship to
fire upon a nearby volcano. Sweeping
Shockwave and the Dynobots in to a pit of molten lava.
In a
Decepticon base Megatron notices Shockwave's absence and order Bludgeon to look
in to it.
In
2006 a
team archaeologists in Eureka Nevada, unearth a massive purple hand.
Credits
:
Writer :
Simon furman
Artist :
nick Roche
Colorist
: Josh Burcham
Letterer
: Sulaco Studios
Editor :
Dan Taylor
Notes :
Set six hundred
thousand megacycles before Infiltration, at the very least.
The
website on the first page of the very first issue of Infiltration 1, refers to
the last page of this comic.
This
issue is released in September 2006, concurrently with Stormbringer 3.
After Infiltration
6 (
June 2006. )
And
before Escalation 1 ( November 2006.
)
The Dynobot
ship isn't named here yet, but it will get it's name in Maximum Dinobots.
Revealed
to be skyfire ...gee ..wonder who that could be in relation to.
Review :
It's
only logical that this should be the first spotlight review.
The
spotlight series were an loosely set
of one shots. Spotlighting one character
in particular, with ties in to the main storyline weaving in between the main
story arcs.
As such
the placement of the spotlights is a bit hard to determinate sometimes.
But not
in the case of the series premier issue.
Spotlight
Shockwave.
Which quite
clearly, is set far before Infiltration or any other current issues,
at this
point in time. Spotlight Shockwave is
one of the earliest excursions in to Cybertron's past.
With
only Megatron Origins, being earlier.
Autocracy,
Primacy and Monstrosity in due time will be set even earlier then Spotlight Shockwave and so will stories in,
More Then Meets The Eye.
But
right now this is our first glimpse in to Cybertron's past and a character
piece for Shockwave.
The first page already set the tone of Shockwave's
personality : "six hundred thousand
meta cycles ago, I foresee the future of
Cybertron. A dead world deplete of
natural resources, I decide to do something about it.
And just
like that we get an glimpse of Shockwave.
Cold, detached, unnatural,
unemotional and willing and
capable to do anything.
Spotlight
Shockwave also gives us some anwsers on
the back of Stormbringer and Infiltration.
And concurrently
with Escalation.
The
origin of ore 13, which is rather
fast considering the slow burn of
the preceding issues.
But
considering this is at least issue 11 or 12, it might be in time after all.
And the
awnser is simple.
And frightful in it's implications and
simplicity.
Shockwave
has seeded worlds with energon ores and then waited to see what will happen.
After
which he went to the worlds he seeded,
to take a direct hand in the matter and
stabilise the injected energon.
Otherwise their evolution would be wildly
unpredictable.
Earth is
Shockwave's first stop, around the end of the last ice age, and only stop as it turns out.
This
issue also introduces the dino...ahem Dynobots,
whom have not changed a bit.
In fact,
their design are carried over from The War Within issues over at Dreamwave. Probably
because they were too good to waste and Hasbro owns the designs regardless.
In fact
the Dynobots are still the same as they ever were, way back in G1.
Rebellious, contradictionary, aggressive, a group unto their own.
Listening to nobody and unbeknownst to them, they
may have doomed countless planets by interfering with Shockwave.
Their
reason to tackle Shockwave is in character, amounting to nothing more then
wounded pride. A realisation that nearly shorts Shockwave out, because of the
supreme banality.
Needless
to say Shockwave demolishes the Dynobots.
This
issue is a somewhat modern reinvention
and reinterpretation of marvel US 8 'Repeat Performance'.
Probably
one of Budiansky's finest scripts on the title. Where the Dinobots also
tackled Shockwave in a prehistoric
setting and also got decimated. Even though the circumstances were different,
the outcome was pretty much the same.
This
issue seems to uphold the old adage of the more things change, the more they
stay the same.
And both
the Dynobots and Shockwave have been taken over wholesale from the G1 comics. But some characters don't need to be reinvented,
they were perfectly fine as they were the first time around.
Shockwave
is more pragmatic however and
doest seem to care about leading
the Decepticons or even what Megatron thinks of him or could do to him.
Clearly,
Shockwave is his own agent with the
power and abilities to underline that. (
Something the Dynobots will attest to. )
Shockwave
meditates on the meaning of evolution and his message is simple, evolve or die.
Which is what the meaning has always been.
The
reasoning for the Dynobots to appear as
well, dinosaurs is perfectly realised within the frame of the story and is
perfectly logical.
To
dampen the Rampant energon radiation, they have to envelop themselves in to synthetic mammal flesh and look like indignant life forms.
Which is
a leaf taken right out of the Beast Wars
book.
Grimlock's
revulsion is also a small glimpse in to Cybertronian general distaste for
organic life, which is something that will come to the forefront later on in
the series lifetime.
Shockwave
is also willing to practise what he preaches, by turning off his
high functions and producing a synthetic equivalent of rage.
This, he
proclaims allows him to evolve.
It also
makes him even more of a unstoppable
juggernaut, who would probably have no
problem holding his own against the likes of Optimus Prime or Megatron.
Shockwave
seems to wipe the floor with the Dynobots effortlessly.
But then,
he always has been at this level in the original
Marvel comics.
Spotlight
Shockwave also introduces Nick Roche to the interior art chores. Formerly a
cover artist only, until he took over art duties from EJ Su, for a single issue
of Devastation.
Roche
went on to write and draw one of the best single spotlight issues as well as
tackle one of the most brutally violent and disturbing mini series in 2010.
( And
one of that years few bright spots, in an otherwise utterly miserable and bleak
offering. Not that the mini series wasn't miserable and bleak, the comics around
it were just excruciatingly bad. )
Roche's
art is somewhat more cartoony then Su's more realistic approach, but it's perfectly fine here.
The
story telling beats are
perfectly easy to follow, as is the action even if it's a beat of 'Repeat Performance' albeit more kinetic.
In
Infiltration I disparaged about the reuse of the same panel over and over again ona single page, but Roche does the same trick
to show
the passage of time and it's perfectly fine here, because the panels are
visually distinctive.
We see
the same hills and mountains as
they change over the eons. Tricks like
these are something comics excel at.
Roche
also redesigned the Dynobots
to conform more to their new alt
modes, which makes Swoop look very
gangly and giving him goggles for some
odd reason.
Spotlight
Shockwave is a fine start for the anthology series even if it riffs a bit too
much off 'Repeat Performance'.
The
Dynobots reason to attack Shockwave is petulant and childish, but in character for the.
The
story gives us awnsers in regards to ore
13, where it came from and what it
actually is, while opening up new questions and plot avenue's and a
insight in to Shockwave's character.
If only
all spotlights were like this.
I thought the Spotlights were off to a fine start with this one. Furman used it to fill in some background for his new version of the universe, and I loved the homage to the Dinobots' first appearance in the Marvel series. I also really like the BEAST WARS nod with their organic alternate modes.
ReplyDeleteyeah , I thought this was a fine start of the spotlights too.
DeleteNot all of them are great or even essential, but the first 12 or so are pretty much good.