Transformers Spotlight 2
Nightbeat
Summary:
Nightbeat
is contacted by Krakon, a mercenary, offering him the flight recorder of the
very first Ark, which has disappeared eons ago, all hands lost.
This is
an offer and a mystery Nightbeat can't refuse.
But when
he rendezvous with Krakon's ship he finds him very much dead and the flight recorder gone.
Nightbeat's
investigations point him to Gorlam Prime.
After
orbital jumping down to the planet, Nightbeat reconfigures himself to look
more like one of the local vehicles.
Oddly
enough, the people of Gorlam Prime
are much more technologically
advanced then was originally believed
with many of them upgrading their organic forms
with cybernetics.
Nightbeat
can't help but wonder if this is how Cybertron once started too.
Regardless,
all this and mysterious excavation sites
to boot, point towards outside influence.
Despite
his better instincts about everything, being a set up, his curiosity gets the
better of Nightbeat and he discovers a massive shimmering portal looking like a lake of quicksilver.
Nightbeat
is soon confronted by four smaller Transformers, the eventual fate of all
inhabitants of Gorlam Prime perhaps and runs and fights for his freedom, but it
proves to be useless. He is captured all the same.
Nightbeat flashes in and out of consciousness, while
unspeakable things are being done to his cranial structure. Installing cerebral implants in his brain, turning him in to a
sleeper agent and wiping his memory of the last
few cycles in the process.
Later
Nightbeat finds himself back on his ship, in his normal body. Having no recollection of
anything that has happened, while musing
over the big three mysteries. Which is when Optimus Prime contacts him.
Nightbeat's
services are needed on earth, however Nightbeat can't shake the feeling that he
is missing something.
Credits
:
Writer :
Simon furman
Artist :
MD Bright
Colors :
John Rauch
Letters:
Sulaco Studios
Editor:
Chris Ryall and Dan Taylor
Notes :
This issue came with 4 different covers
Nightbeat
considers the big three mysteries.
We know the
disappearance of the Ark is the first one. Later down the line we found out
that the Seething Moon is the second, but the third is as of yet unknown.
It might
be the actual origin of Cybertron and the Transformers.
Review :
And this
brings us to the second spotlight.
And by
the gods, the art by MD ( Mark or doc )
Bright is atrocious !
It has to
be said.
I have
no idea what happened here, because MD Bright was and still is capable of fantastic art.
He was a
penciller for Gi-joe, The Amazing
Spiderman vs Wolverine one shot, ( yes
that one where Ned Lees got killed
) Quantum and Woody and a string of Iron
Man comics.
He even
did that iconic cover of Marvel G1 issue 5, that every body knows.
So what
the hell happened here ?
Clearly
Mr Bright had a bad day, was under time crunch or things just didn't gel. Because the art is atrocious.
Thankfully
for all it's faults and murky colors, MD Bright's story telling skills are
still as strong as ever.
But what
about the story it self ?
Well if
you judge a comic by story only, this is one of the best spotlights period.
Nigthbeat
was one of Furman's pet characters in his
G1 run, along with Grimlock and Thunderwing. And possibly Scorponok and
Optimus Prime. Both of the latter have gotten seminal portrayals by Furman in his late G1 run and
his portrayal of Prime still resonates though various incarnations of the
character, 25 years later.
But this
is about Nightbeat not Optimus Prime, not yet anyway.
Spotlight
Nightbeat introduces several interesting
plotpoints and conceits.
The
first of which is that the first Ark disappeared millions of years ago, for
reasons unknown.
The
second is Gorlam Prime, which is a planet that
is on the cusp between full organic and full robotic bodies.
The
inhabitants are bionic and replacing
parts of their body piecemeal, with cybernetic implants transitioning from organic
to biomechanical.
Nightbeat
can't help but wonder if Cybertron, whose origins and with it the origins
of the Transformers, have been lost to
the mists of time, have been similar like this.
Which is
a wonderfull idea, because Furman set out
to start a Transformers
mythology, with out the matrix, Unicron
or Primus.
But
sadly not much in terms of the Transformers origin is done with it.
Gorlam
Prime and the Ark 1 and where it went to, and what it found there will become
recurring threads through out the IDW Transformers, though all the way to 2014. Where it will all come to a head.
Right
now however, all we have is tantalising mysteries
and speculations, as well as what is happening with Gorlam Prime and who is
messing with it.
We do
get a few glimpses as to what is
happening to the inhabitants though, with the introduction of the Micromasters.
Or at
least, the characters that once were the Micromasters.
It's not
said with as many words, but the comic
infers that they are the end station of the evolution of Gorlam Prime.
And
unfortunately, they are under the thrall of whoever is pulling the strings.
Whomever
came out of the hole in the world, the portal,
that lobotomised Nightbeat and turned him in to a sleeper agent.
Well lobotomising
him is a big word, whatever they did to turn him in to a sleeper agent, also
removed several cycles of his internal memory.
So the
issue ends with even more mysteries and no awnsers and it's in one word:
brilliant.
Other
then ramping up the tension with Nightbeat, it also is permeated with an unsettling feeling, a
dark foreboding, that things are all a set up. That it's one big trap, waiting
to snap shut around Nightbeat.
It's
also a great character study for Nightbeat himself.
The meticulous
loner who lives for the mystery, who
narrates the whole story and it reads like a piece of hardboiled detective
fiction.
Which is
pretty accurate considering Nightbeat's personality and characterisation.
Right up
till the end, where he can't shake the nagging
feeling he is missing something, before getting called to earth by Prime, where
we will see him in Escalation.
As usual
with the spotlights, even though this is just the second one, it casts a wider
net and shows us that there is more to the Transformers war then just earth. That
there are countless worlds at stake and that other things outside of the Transformers
scope, are lurking and plotting carrying
on with their own machinations.
And even
on earth things are brewing.
But what
it also does, beyond casting a wider scope to the stories, is making this universe feel lived in.
There
are other worlds, other planets, other civilisations. Mysteries to be uncovered
and unravelled, the first Ark is gone and nobody knows what happened
to it.
It adds verisimilitude
to the IDW Transformers universe. A sense of
things having happened here and will continue to happen and we don't get
to know or hear all about them, but we will get to hear the good ones and the important ones.
This
universe is alive and vast.
Unfortunately
the art lets this comic down.
Maybe it
was a rush job, maybe Bright had a murderous deadline, but the art is poor and the murky dark coloring doesn't help much
either.
For some
vauge reason, half way through the comic Nightbeat changes design.
This is
explained away by altering his exostructure, to fit in to Gorlam Prime.
The
problem however is that we aren't shown
this.
From one
panel to another he has a slightly different headlamp design and when he transforms back to robot mode
again, he has suddenly lost the side
guns on his head. Until he is returned to his ship, in his original form to off course keep up the ruse that nothing has happened.
But we
saw him transform and they were present there.
Still
artistic shortcomings ( and in some places it's just plain ugly. that
Optimus Prime on the vid screen is the stuff of nightmares and early 90's
comics ) notwithstanding.
This is
a great Transformers comic and it even
stands well on its own, despite offering no resolutions, but can be considered
a strong character piece for Nightbeat.
Reading a lot of the old Marvel G1 stuff, you see that the older, more old-fashioned pencilers just couldn't pull off the Transformers very well. Don Perlin, Frank Springer, Herb Trimpe... they were all great superhero artists, but on TRANSFORMERS they only did okay, and you could tell they weren't comfortable with the character designs. I wonder if that's what tripped up Bright here, as well?
ReplyDeleteIt's certainly possible.
DeleteBut let's not forget that Bright is responsible for that cover of US 5.
That painted cover with Shockwave and "Transformers are all dead."
And he has done a stint on Iron Man, so I am certain Bright was used to drawing technology, at the very least.
I think it was just a tight deadline that did him in.
Of the original comic the best pencillers were William Johnson and Jose Delbo, untill the UK pencillers came in.
Delbo had an organic fluidity, that helped the more horror slant of some stories.